Berwick Bridge 400
Berwick Bridge 400

In 2024 I was commissioned by Connecting Threads, the cultural strand of Destination Tweed to be the Berwick Bridge 400 artist in residence.

Photo: Pictorial Photography

Sketching in Stone
Sketching in Stone

40 handmade watercolour paints made from the same sandstone used to repair Berwick Bridge.

Photo: Pictorial Photography

 Each paint is named after one of the workers employed for the construction of the bridge in 1624. This included 13 women employed “for sanding the new stone bridge”  Photo:  Pictorial Photography

Each paint is named after one of the workers employed for the construction of the bridge in 1624. This included 13 women employed “for sanding the new stone bridge”

Photo: Pictorial Photography

 The paints are made from local sandstone, honey and gum arabic and presented in limpet shells found on Berick Beach. Each one is nestled in wool and presented in a paper box.   Photograph:  Pictorial Photography

The paints are made from local sandstone, honey and gum arabic and presented in limpet shells found on Berick Beach. Each one is nestled in wool and presented in a paper box.

Photograph: Pictorial Photography

 Each paint was given to a member of the local community who used it to make a painting inspired by the bridge. Photograph: Pictorial Photography

Each paint was given to a member of the local community who used it to make a painting inspired by the bridge. Photograph: Pictorial Photography

 Photograph:  Pictorial Photography
 Grinding sandstone into paint.   Photograph:  Pictorial Photography

Grinding sandstone into paint.

Photograph: Pictorial Photography

 A sketching workshop using the handmade, sandstone paint.   Photograph:  Pictorial Photography

A sketching workshop using the handmade, sandstone paint.

Photograph: Pictorial Photography

 Results from a public sketching workshop using the sandstone paint.   Photograph: Pictorial Photography

Results from a public sketching workshop using the sandstone paint.

Photograph: Pictorial Photography

 Sketching in Stone Exhibition at Foldyard Gallery, Berwick-upon-Tweed. Each painting was made by a member of the local community, in honour of one of the original bridge workers from 1624.   Photograph:  Pictorial Photography

Sketching in Stone Exhibition at Foldyard Gallery, Berwick-upon-Tweed. Each painting was made by a member of the local community, in honour of one of the original bridge workers from 1624.

Photograph: Pictorial Photography

 The paintings are now safely stored in the Berwick Archives. Photograph:  Pictorial Photography

The paintings are now safely stored in the Berwick Archives. Photograph: Pictorial Photography

 Photograph:  Pictorial Photography
 Photograph:  Pictorial Photography
 Photograph:  Pictorial Photography
 Photograph:  Pictorial Photography
An Inventory of Materials
An Inventory of Materials

This display depicts the diverse collection of materials that were used to build Berwick Bridge, as recorded in the original account books.

Photograph: Pictorial Photography

 Listed in the provision records were “bread and drinke for the workers”. Photograph:  Pictorial Photography

Listed in the provision records were “bread and drinke for the workers”. Photograph: Pictorial Photography

 Photograph:  Pictorial Photography
 Photograph:  Pictorial Photography
 Photograph:  Pictorial Photography
 Photograph:  Pictorial Photography
Berwick Bridge 400
Sketching in Stone
 Each paint is named after one of the workers employed for the construction of the bridge in 1624. This included 13 women employed “for sanding the new stone bridge”  Photo:  Pictorial Photography
 The paints are made from local sandstone, honey and gum arabic and presented in limpet shells found on Berick Beach. Each one is nestled in wool and presented in a paper box.   Photograph:  Pictorial Photography
 Each paint was given to a member of the local community who used it to make a painting inspired by the bridge. Photograph: Pictorial Photography
 Photograph:  Pictorial Photography
 Grinding sandstone into paint.   Photograph:  Pictorial Photography
 A sketching workshop using the handmade, sandstone paint.   Photograph:  Pictorial Photography
 Results from a public sketching workshop using the sandstone paint.   Photograph: Pictorial Photography
 Sketching in Stone Exhibition at Foldyard Gallery, Berwick-upon-Tweed. Each painting was made by a member of the local community, in honour of one of the original bridge workers from 1624.   Photograph:  Pictorial Photography
 The paintings are now safely stored in the Berwick Archives. Photograph:  Pictorial Photography
 Photograph:  Pictorial Photography
 Photograph:  Pictorial Photography
 Photograph:  Pictorial Photography
 Photograph:  Pictorial Photography
An Inventory of Materials
 Listed in the provision records were “bread and drinke for the workers”. Photograph:  Pictorial Photography
 Photograph:  Pictorial Photography
 Photograph:  Pictorial Photography
 Photograph:  Pictorial Photography
 Photograph:  Pictorial Photography
Berwick Bridge 400

In 2024 I was commissioned by Connecting Threads, the cultural strand of Destination Tweed to be the Berwick Bridge 400 artist in residence.

Photo: Pictorial Photography

Sketching in Stone

40 handmade watercolour paints made from the same sandstone used to repair Berwick Bridge.

Photo: Pictorial Photography

Each paint is named after one of the workers employed for the construction of the bridge in 1624. This included 13 women employed “for sanding the new stone bridge”

Photo: Pictorial Photography

The paints are made from local sandstone, honey and gum arabic and presented in limpet shells found on Berick Beach. Each one is nestled in wool and presented in a paper box.

Photograph: Pictorial Photography

Each paint was given to a member of the local community who used it to make a painting inspired by the bridge. Photograph: Pictorial Photography

Grinding sandstone into paint.

Photograph: Pictorial Photography

A sketching workshop using the handmade, sandstone paint.

Photograph: Pictorial Photography

Results from a public sketching workshop using the sandstone paint.

Photograph: Pictorial Photography

Sketching in Stone Exhibition at Foldyard Gallery, Berwick-upon-Tweed. Each painting was made by a member of the local community, in honour of one of the original bridge workers from 1624.

Photograph: Pictorial Photography

The paintings are now safely stored in the Berwick Archives. Photograph: Pictorial Photography

An Inventory of Materials

This display depicts the diverse collection of materials that were used to build Berwick Bridge, as recorded in the original account books.

Photograph: Pictorial Photography

Listed in the provision records were “bread and drinke for the workers”. Photograph: Pictorial Photography

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